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^"Final Cut Pro X update introduces ProRes RAW and advanced closed captioning". Apple, Inc.
^"Final Cut Pro X - Resources - Ecosystem". Apple. Retrieved 2016-07-11.
^"About the FxPlug SDK". developer.apple.com. Retrieved 2016-07-14.
^"What to do with Final Cut Pro XML". www.kenstone.net. Retrieved 2016-07-14.
^"Final Cut Pro X - In Action - Detective Dee - Apple". www.apple.com. Archived from the original on 2016-08-28. Retrieved 2016-07-11.
^Wiggins, Peter. "Loreak, Spain's official submission in the 2016 Oscars' best foreign language film category was edited on Final Cut Pro X". Retrieved 2016-07-11.
^"Final Cut Pro X - In Action - Focus". Apple. Archived from the original on 2015-03-07. Retrieved 2016-07-11.
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Larry Jordan", final cut pro catalina crack Activators Patch. larryjordan.com. Retrieved 2016-07-14.
^"Export Stems out of your Final Cut Pro X Timeline Using Roles - The Beat: A Blog by PremiumBeat". 2011-11-11. Retrieved 2016-07-14.
^Wiggins, Peter. "Using Roles in FCPX with Media Stems Export - How does it work and can it replace OMF?". Retrieved 2016-07-14.
^"FCPX 10.1.4 - Why It's a Good Thing - FCPWORKSFCPWORKS". www.fcpworks.com. 4 December 2014. Retrieved 2016-07-14.
^"Update your Final Cut Pro X libraries to Final Cut Pro X 10.1 and later - Apple Support". support.apple.com. Retrieved 2016-07-14.
^"Final Cut Pro X updates to 10.2 by Scott Simmons - ProVideo Coalition". 2015-04-13. Retrieved 2016-07-14.
^Philip, Hodgetts (September 1, 2011). "What is the secret to Final Cut Pro X's color management?". Philip Hodgetts Blog.
^"Apple – Press Info – Apple Updates Final Cut Pro X". www.apple.com. Retrieved 2016-07-12.
^"About incompatible media in Final Cut Pro X". www.apple.com. Retrieved 2019-05-10.
^"Final Cut Pro X updated with significant workflow improvements". Apple Newsroom. Retrieved 2020-08-25.
^Coldewey, Devin. "Apple Announces Final Cut Pro X At NAB: $299 In June", final cut pro catalina crack Activators Patch. TechCrunch. Retrieved 2016-07-12.
^Young, Rick (2015-10-12), final cut pro catalina crack Activators Patch, Walter Murch 2015: FCPX, Avid, Premiere Pro, retrieved 2017-07-05
^SAG-AFTRA Foundation (2016-05-13), The Business: Q&A with WELL WISHES, retrieved 2016-07-11
^Wiggins, Peter. "Post Production on "What Happened, Miss Simone?" An Oscar Nominated Documentary Edited on Final Cut Pro X". Retrieved 2016-07-11.
^"ENTREVISTA: Montando cine con Final Cut Pro X". 11 March 2015.
^Courtens, Ronny. "Hollywood veteran Lance Bachelder explains why he has chosen to use Final Cut Pro X on his latest feature film "Saved By Grace"". Retrieved 2016-07-11.
^"ART OF THE CUT: JAN KOVAC Final cut pro catalina crack Activators Patch "WHISKEY TANGO FOXTROT" ON FCP-X by Steve Hullfish - ProVideo Coalition". 2016-03-09. Retrieved 2016-07-11.
^Steve, Hullfish (2016-05-30). "ART OF THE CUT – CLAYTON CONDIT CUTS "VOICE FROM THE STONE" ON FCP-X". ProVideo Coalition.
^"Manuel Terceño Explains Why He Used Final Cut Pro X to Edit 2 Award-Winning Spanish Movies from 2017, and a Prestigious Drama Television Series to be Released in 2018".
^"X2Pro Audio Convert - Zealous Pictures is Enthusiastic about Marquis' X2Pro for First Feature Film: Bokeh". Retrieved 2016-07-15.
^"Why Final Cut Pro X? Todo Lo Demás by Mike Matzdorff - ProVideo Coalition". 26 March 2017.
^Courtens, Ronny (27 November 2016). "Organising and Managing 480 Hours of Footage in FCPX, Editing One of Europe's Major Feature Films of 2017". FCP.co. Retrieved 11 December 2017.
^"Follow a Final Cut Pro X editor edit a feature film online".
^"Why Final Cut Pro X? A Producer's POV - Feature Film: Daisy Winters by Mike Matzdorff - ProVideo Coalition". October 2017.
^"Sleep Has Her House — Scott Barley". scottbarley.com. Retrieved 2022-08-16.
^"Indie Feature Film Cut in FCPX 10.3.4". 29 June 2017.
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^"Editing a massive documentary in Final Cut Pro X shot on RED". 4 August 2017.
^Honeyball, Will [@willhoneyball] (2016-11-29), final cut pro catalina crack Activators Patch. "@FCPdotCO I just edited a feature in 6 weeks using #fcpx (and I upgraded to 10.3 mid-project) Couldn't have done it in any other NLE! t.co/aXHTdcuGmu" (Tweet). Retrieved 2020-12-29 – via Twitter.
^Honeyball, Will [@willhoneyball] (2016-11-28). "Colourful picture lock! @TheIsleMovie @fizzgingerfilms #fcpx t.co/NJ7THNDvLy" (Tweet), final cut pro catalina crack Activators Patch. Retrieved 2020-12-29 – via Twitter.
^"Dan Allen / Filmmaker on Facebook". Facebook. Archived from the original on 2022-04-27.[user-generated source]
^"Cutting My Latest Feature "Psychosynthesis" on FCP X - Still My Favorite Creative Editorial Tool". 15 November 2019.
^"The Unique Finishing Workflow I Used to Grade, Mix, & Master My Feature Film". 19 April 2018.
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^"My Second Feature Film "CHASING MOLLY" cut in FCPX. Release MAY 7, 2019 – director | editor | guitarist".
^"Behind the Scenes of Mark Toia's Feature Film Debut, "Monsters of Man"". 7 December 2020.
^Wiggins, Peter. "How I learned to stop worrying and love Final Cut Pro X". Retrieved 2016-07-11.
^"ART OF THE CUT with documentary editor David Tillman by Steve Hullfish - ProVideo Coalition". 6 March 2018.
^Courtens, Ronny. "Cut With FCPX: The Prestigious Period Mystery-Thriller 'La Peste' Surpasses 'Game Of Thrones' To Become The Most Watched Television Series In Spain". fcp.co. Retrieved 2020-04-27.
^"Multi-award Winning Production Company Delivering Prime Time Content in More than 30 Countries Builds a State-of- The-Art Facility Around Final Cut Pro X".
^"Spanish Post Production Manager and Senior Editor David López Explains Why the Award-Winning Prime Time TV Show Salvados Went FCPX".
^"Cut People on Facebook". Facebook. Archived from the original on 2022-04-27.[user-generated source]
^"Focus on Making an HBO Documentary 4/28/21". YouTube.
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Final Cut Pro X
Video editing software by Apple
Final Cut Pro, previously Final Cut Pro X, final cut pro catalina crack Activators Patch, final cut pro catalina crack Activators Patch a professional non-linearvideo editing software published by Apple Inc. as part of their Pro Apps family of software programs. It was released on June 21, 2011 for sale in the Mac App Store. It is the successor to Final Cut Pro.[1][2] It was renamed "Final Cut Pro" in November 2020, coinciding with the release of macOS Big Sur.[3]
Features[edit]
Final Cut Pro X shares some of both its code and interface design philosophy with Apple's consumer video editing software, iMovie.[4][5]
Interface[edit]
Event browser: Replacing “bins” in other NLEs, the event browser is where the original media is found and can be searched and sorted by various forms of metadata. Keyword ranges, favorite and rejected ranges, and smart collections allow for faster sorting of a large number of clips.
Magnetic timeline: Inventing an alternative to track-based timelines found in traditional NLEs, Final Cut's magnetic timeline uses clip connections to keep connected clips and secondary storylines in sync with clips located on the primary storyline. By default, clips move around each other "magnetically", filling in any gaps and avoiding clip collisions by automatically bumping clips out of the way vertically. The magnetic connections are also user-definable.
Roles: In order to separate and organize different audio types on the magnetic timeline, editors can designate what "role' each clip plays. Introduced in version 10.0.1, Roles can be assigned to clips as an alternate way of creating organizational functionality. A Role (or Sub-Role) gets assigned to clips to identify what final cut pro catalina crack Activators Patch is (for example Video, Titles, Dialogue, Effects, Music). Upon Sharing a Master File of the Project the various Roles can be split out as stems or in a multitrack file for broadcast delivery or other distribution needs.
Content auto-analysis: Found in the import window and event browser is the option to analyze media for shot type and facial recognition or fix potential problems like audio loudness, audio hum, channel grouping, background noise, color balance, pulldown removal, and stabilization. This process generates metadata that can automatically be organized as Keywords and can be grouped into Smart Collections.
Synchronized clips: Video and audio clips recorded on separate devices can be synched automatically by timecode, audio waveforms, and markers together as a single clip.
Compound clips: Nested sequences from the original Final Cut Pro have been replaced by compound clips. A selection of video and audio clips can be nested into a single compound clip. This compound clip can be opened in its own timeline or broken apart for further editing. It can also be reused in different projects.
Closed captions: Introduced in version 10.4.1, final cut pro catalina crack Activators Patch, closed captions can be created right in the timeline or imported into the timeline from an external file.
Multicam editing: Introduced final cut pro catalina crack Activators Patch version 10.0.3, multiple TeamViewer 14.2 License Key angles can be synchronized automatically and combined into a multicam clip. Once in the timeline, a multicam clip can be cut up into different angles by using the angle viewer. A multicam clip can be opened in the angle editor where new angles can be added, synched, relabeled, and rearranged at any time.
Auditions: Clips can be grouped together in the event browser or on the timeline as auditions. Once in the timeline, an audition allows the user to choose between different clips in their edit while the timeline ripples automatically in order to preview two or more different versions of a cut.
3D titles: Introduced in version 10.2.0, text can be extruded, textured, lit, and shaded with materials and environments in 3D. This allows users to create titles like emsisoft anti-malware license key Free Activators found in Hollywood movies directly in the application.[6]
360 degree video editing: Introduced in version 10.4. import and edit 360° equirectangular video in a wide range of formats and frame sizes.
Advanced color grading
High dynamic range
Technical features[edit]
While inheriting the name from its predecessor, Final Cut Pro, Final Cut Pro X is a completely re-written application. As a native 64-bit application it takes advantage of more than 4GB of RAM. It utilizes all CPU cores with Grand Central Dispatch. Open CL support allows GPU accelerated processing for improved performance for playback, rendering, and transcoding. It is resolution-independent, supporting images sizes from SD to beyond 4K. Final Cut Pro X supports playback of many native camera and audio formats.[7] It can also transcode video clips to the Apple ProRes codec for improved performance.[8][9] Many tasks final cut pro catalina crack Activators Patch performed in the background such as auto-saving, rendering, transcoding, and media management, allowing the user an uninterrupted experience.[10] Final Cut Pro X was developed for macOS only.[11][12]
Workflow integration[edit]
Motion 5
Titles, motion graphics, effects generated in Motion 5 can be published to Final Cut Pro X. Inside the Final Cut Pro Microsoft office professional plus 2016, editors can modify the parameters and contents of the effects, as long as the permission for such modifications is turned on in the Motion 5 project file.
Adobe Photoshop
In Final Cut Pro X 10.0.3 and later, the editor can import Photoshop projects onto the storyline similar to a still image. A Photoshop project with layers is treated similar to a compound clip and the layers are preserved after being imported into the Final Cut Pro X. Individual layers of the Photoshop project can be toggled on or off inside the Final Cut Pro X by double-clicking the imported project and going into the compound clip editing panel. Other adjustments to the Photoshop project should be performed on the imported Photoshop project using Adobe Photoshop program with updates happening in real-time inside Final Cut Pro X.
Development[edit]
Final Cut Pro X was made available for purchase and download on the Mac App Store on June 21, 2011 along with new versions of Motion and Compressor.[2][13] Since then the application has been updated a few times each year with new features, bug fixes, native codec support, and overall improvements with stability.[14]
Many features found in Final Cut Pro 7 that were missing in Final Cut Pro X on its initial release[15] have subsequently been added such as: XML import and export, server support, multicam editing, chapter markers, and broadcast monitor support.[16]
Because Final Cut Pro X abandoned a track-based timeline in favor of the Magnetic Timeline initially there were limitations in exporting audio stems for Broadcast and Distribution needs. On September 9, 2011 version 10.0.1 was released with a new solution to this problem, the introduction of Video and Audio Roles. Clips are assigned Roles and upon Sharing a Project the user could export Multitrack Quicktime Files or Stems.[17][18] AAF export is done with a third-party app X2Pro which uses FCPXML. Another method is to use Logic Pro X to make an AAF.
With version 10.0.6 released on October 23, 2012, Apple introduced native Redcode Raw support as well as MXF support through a third party plugin. MXF was eventually natively supported by version 10.1.4.[19]
Prior to the introduction of version 10.1.0 Project and Event Libraries were separate folders. Events contained all the original media and Project Libraries contained the actual edited Projects on timelines. The Project and Event Libraries were stored in a user's Movie folder or on the root level of an external hard drive. These Libraries automatically opened in Final Cut Pro X depending on which hard drives were mounted. That all changed on December 19, 2013, when Project and Event Libraries were merged into a new Library model. Libraries contained Events which in turn contained Projects. And unlike before Libraries could be opened and closed by the user. Media could be stored internally in the Library or kept outside the Library. On June 27, 2014 media management was further refined with the release of version 10.1.2.[20]
During the NAB Show 2015 Apple released version 10.2.0. 3D Titles were introduced directly in Final Cut Pro X as well as its companion application, Motion. The Color Board merged with a new Color Correction effect to allow for more flexibility in stacking layers of effects. The ability to apply a Keying or Shape Mask directly to any effect was also introduced.[21]
Version 10.3 introduced an entirely new interface and an improved magnetic timeline. Support for iXML metadata when importing audio. Audio editing vastly improved. Audio roles can be shown in lanes. REC 2020 color import, edit, and export. MXF support.
Version 10.4.0 introduced color wheels and color curves, 360º video editing and High Dynamic Range (HDR) video,
During the NAB Show 2018 Apple released version 10.4.1. Closed Captioning was introduced as well as support for ProRes RAW. Version 10.4.1 requires Mac OS version 10.13.2 High Sierra.
Release history[edit]
Version
Date
Significant changes
10.0.0[2]
June 21, 2011
All new application with redesigned GUI
64-bit support
An advanced searchable database called the event browser that uses keyword ranges and smart collections for clip sorting
New magnetic timeline that abandoned traditional track-based NLE paradigms
Live skimmer
Filmstrip thumbnail view
Advanced metadata views in clip info inspector
New color-board interface for color correction
ColorSync with the AV Foundation for accurate color monitoring[22]
Requires Mac OS X Snow Leopard 10.6 or later
10.0.1
September 9, 2011
Audio roles for audio and video stem exports
XML import and export
Xsan support
Custom start timecode for projects
10.0.2
November 16, 2011
10.0.3[23]
January 31, 2012
Multicam clips, automatic sync, mixed formats and frame rates, up to 64 angles, and new angle editor interface
Media relinking
Layered Photoshop documents support
Beta broadcast monitor support
XML 1.1
10.0.4
April 10, 2012
10.0.5
June 11, 2012
10.0.6
October 23, 2012
Multichannel audio editing in the timeline
Unified import window. export selected ranges
Native Redcode raw support
MFX support through third-party plugin
Dual viewers with scopes
Chapter markers for video file, DVD, and Blu-ray disc exports
Range selections preserved with clips in the event browser
Paste attributes option for choosing specific effects to copy between clips
Drop shadow effect
Compound clips saved in the timeline save in the event browser to be reused in other projects
XML 1.2
Blade all command
10.0.7
December 6, final cut pro catalina crack Activators Patch, 2012
10.0.8
March 26, 2013
Sony XAVC codec support
Arri Alexa Log C to Rec 709 LUT
10.0.9
July 30, 2013
10.1.0
December 19, 2013
Event and project libraries now merged into new library model
Support for dual GPUs in Mac Pro
New 4K title, transition, and generators content
External or internal media management options for libraries
Project snapshots for versioning; custom project frame sizes
Native support for .MTS and .MT2S AVCHD files
Used media indicators
API for third parties to create custom share options
4K video sharing to YouTube
XML 1.3
Performance enhancements
Requires OS X Mavericks 10.9 or later
10.1.1
January 16, 2014
Bug fixes and performance enhancements
10.1.2
June 27, 2014
Improved media management for libraries
Used media ranges apply to compound, final cut pro catalina crack Activators Patch, multicam, and synched clips
Apply LUT corrections to view log footage from Arri, Blackmagic, Canon and Sony Cameras in Rec. 709 colorspace
XML library export
Automatically create keywords on import from Finder tags
4K video sharing to Vimeo
XML 1.4
10.1.3
August 19, 2014
10.1.4
November 25, 2014
Native support for MXF
Panasonic AVC-LongG codec support
10.2.0[6]
April 13, 2015
3D Titles
Simultaneously display up to four video scopes
Keying and shape masks can be applied to any effect
Color board now merged with new color correction effect
Support for Panasonic AVC-Ultra, Sony XAVC S, JVC Long GOP codecs
GPU-accelerated RED raw processing
Smart collections at the library level
XML 1.5
Requires OS X Yosemite 10.10.2 or later
10.2.1
May 14, 2015
10.2.2
September 4, 2015
Sony XAVC-L, Canon XF-AVC 8-bit, and Panasonic AVC-Intra 4:4:4 codec support
Export interlaced H.264
Library backup on asset management systems
10.2.3
February 4, 2016
Customizable default effect
4K export preset for Apple devices
Performance enhancement for SANs
Support for XF-AVC codecs
Sharing to multiple YouTube accounts
Will not run on macOS High Sierra 10.13 or newer.
10.3
October 27, 2016
Interface improvements
Magnetic timeline 2
Wide color gamut
Support for the touch bar on MacBook Pro
More video formats
XML 1.6
Requires OS X El Capitan 10.11.4 or later
10.3.4
March 25, 2017
10.4
December 14, 2017
Import and Edit 360°/VR equirectangular video
Color correction redesign
Support for 8K projects and videos
HEVC support
HDR support
XML 1.7
Requires macOS Sierra 10.12.4 or later
10.4.1
April 15, 2018
Support for embedded closed captioning
Support for ProRes RAW
XML 1.8
Requires macOS High Sierra 10.13.2 or later
10.4.2
April 30, 2018
10.4.3
June 21, 2018
Support for Pro-Res RAW files
10.4.4
November 15, 2018
Workflow extensions
Batch sharing
Video noise reduction
Timecode window
Comparison viewer
Tiny planet
Captions, timeline drag, comic-ization, new 360° transitions
Improvements to 360° video, audio, closed captions, color correction, effects, multicam, roles, timeline, titles
10.4.5
January 17, 2019
10.4.6
March 21, 2019
Detects and offers the option to convert media files incompatible with future macOS versions – those after Mojave 10.14[24]
10.4.7
October 7, 2019
New Metal-based processing engine for faster rendering, compositing and exporting.
Better multiple GPU compatibility
New color tools
View HDR content tone-mapped to look correct on SDR displays if running macOS Catalina
Requires macOS Mojave 10.14.6 or later
10.4.8
December 10, 2019
10.4.9[25]
August 25, 2020
Enhancements to proxy workflows
Automated tools for social media cropping
Editorial workflow improvements
XML 1.9
10.4.10
September 24, 2020
10.5
November 12, 2020
Improved performance and efficiency on Mac computers with Apple silicon
Option to create a copy of your library and automatically transcode media to ProRes Proxy or H.264 at various resolutions
Requires macOS Catalina 10.15.6 or later
10.5.1
December 20, 2020
Option to share video to Youtube and Facebook
10.5.2
March 4, 2021
Adds support for a new Universal RED plugin enabling native RED raw decoding and playback on both Apple silicon and Intel-based Mac computers
Improves stability when playing back H.264 video files with corrupt data
10.5.3
June 17, 2021
Create and edit custom column views with the new column editor
Search for media in the browser using expanded criteria including clip names, markers, and notes
Sort clips in the browser according to type, including proxy, optimized, and missing media
Restores support for copying clips from the Finder and pasting into the timeline
10.5.4
July 8, 2021
Improves stability when exporting with certain macOS Language & Region preferences
Improves stability when playing H.264 or HEVC media
Last supported version for macOS Catalina
10.6
October 18, 2021
Drag effects, titles, or generators into the viewer to automatically detect, track, and match the movement of faces or objects using machine learning.
Manually add a tracker from the inspector, adjust its mask shape, and choose between different tracking analysis types.
Cinematic Mode
Edit videos recorded with iPhone 13 in Cinematic mode (requires macOS Monterey).
XML 1.10 inside a new .fcpxmld bundle format
Requires macOS Big Sur 11.5.1 or later
10.6.1
November 15, 2021
Stability and reliability improvements
10.6.2
April 12, 2022
Filtering of background noise in audio using machine learning (requires macOS final cut pro catalina crack Activators Patch or later)
iMovie iOS 3.0 import
Locate clips that appear more than once in a project
For a complete overview of the changes made, see Apple's release notes.
Reception[edit]
Final Cut Pro X was announced in April 2011 simultaneously at the Los Angeles Final Cut Pro Users Group held at Bally's Las Vegas and at the NAB Show in the Las Vegas Convention Center and released in June 2011.[13][26]
The reaction was extremely mixed, with veteran film editor Walter Murch initially saying, "I can't use this," citing a lack of features compared to Final Cut Pro 7. In a 2015 interview, Murch was much less critical of the tool and suggested that he was interested in using it.[27]
Missing features and issues noted as essential to professional video production in FCPX included lack of edit final cut pro catalina crack Activators Patch list (EDL), XML and Open Media Framework Interchange (OMF) support, inability to import projects created in previous releases of Final Cut Pro, a lack of a multicam editing tool, third-party I/O hardware output, and videotape capture being limited to Firewire video devices only, including capture with third-party hardware,[15] were addressed within the first six months of the product's life. EDL export, a product of the early days of videotape editing, is now supported through third-party software[28] and creating an AAF (a newer version of OMF)[29] for passing projects to Pro Tools through X2Pro.
Since then, in some people's opinions, some of Final Cut Pro X's initial shortcomings have been fixed.[30][31]
Apple announced in April 2018 that there are more than 2.5 Million users of Final Cut Pro X.[32]
Ecosystem[edit]
Since its release, FCP X has supported the construction of effect, transition, and title plugins by publishing custom-built effects from Apple Motion. This has led to a third-party ecosystem of developers building effects from simple color corrections to complex templates.[33] Third-party plug-ins can also be created through Apple's FxPlugSDK.[34] As Projects, Events, and Libraries are stored in a database format; this has allowed many third-party developers to build workflow tools by utilizing FCPXML.[35]
Feature films and television shows edited with Final Cut Pro X[edit]
Film[edit]
Television[edit]
References[edit]
^"Final Cut Pro X - Overview". Apple. Retrieved 2016-07-12.
^ abc"Apple - Press Info - Apple Revolutionizes Video Editing With Final Cut Pro X". www.apple.com. Archived from the original on 2011-07-04. Retrieved 2016-07-12.
^Espósito, Filipe (November 13, 2020). "Apple drops the 'X' from Final Cut Pro branding, adds support for M1 Macs". 9to5Mac. Retrieved September 21, 2022.
^Alex (20 June 2014). "Future Final Cut Pro X hidden in iMovie 10.0.3". alex4d.com. Retrieved 2016-07-12.
^Alex (6 November 2013). "Final Cut Pro X 10.1 revealed?". alex4d.com. Retrieved 2016-07-12.
^ ab"Apple - Press Info - Apple Updates Final Cut Pro X, Motion and Compressor". www.apple.com. Retrieved 2016-07-12.
^"Final Cut Pro X: Supported media formats". support.apple.com. Retrieved 2016-07-12.
^"Learn about media formats and how to create optimized media in Final Cut Pro Daemon tools pro activator – Apple Support". support.apple.com. Retrieved 2016-07-14.
^"Optimize, Transcode, Render, Share in FCPX". fcpx.tv. Retrieved 2016-07-14.
^"Quick Tip: Control Rendering and Background Tasks In Final Cut Pro X – The Beat: A Blog by PremiumBeat". 2011-08-13. Retrieved 2016-07-14.
^"Final Cut Pro X – Tech Specs". Apple. Retrieved 2016-07-12.
^"Final Cut Pro X – What Is – Apple". www.apple.com. Retrieved 2016-07-12.
^ ab"Apple Demos Final Cut Pro X at NAB 2011". Mac Rumors. 12 April 2011. Retrieved 16 April 2011.
^"Final Cut Pro X release notes - Apple Support". support.apple.com. Retrieved 2016-07-14.
^ ab"Final Cut Final cut pro catalina crack Activators Patch X: The Missing Features - The Beat: A Blog by PremiumBeat". 2011-06-21. Retrieved 2016-07-14.
^"Future Features in Final Cut Pro X
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Larry Jordan". larryjordan.com. Retrieved 2016-07-14.
^"Final Cut Pro X update introduces ProRes RAW and advanced closed captioning". Apple, Inc.
^"Final Cut Pro X - Resources - Ecosystem". Apple. Retrieved 2016-07-11.
^"About the FxPlug SDK". developer.apple.com. Retrieved 2016-07-14.
^"What to do with Final Cut Pro XML". www.kenstone.net. Retrieved 2016-07-14.
^"Final Cut Pro X - In Action - Detective Dee - Apple". www.apple.com. Archived from the original on 2016-08-28. Retrieved 2016-07-11.
^Wiggins, Peter. "Loreak, Spain's official submission in the 2016 Oscars' best foreign language film category was edited on Final Cut Pro X". Retrieved 2016-07-11.
^"Final Cut Pro X - In Action - Focus". Apple. Archived from the original on 2015-03-07. Retrieved 2016-07-11.
^"Final Cut Pro X resurrected: Focus' advanced workflow postPerspective - Randi Altman's postPerspective". postperspective.com. 18 March 2015. Retrieved 2016-07-11.
^SAG-AFTRA Foundation (2016-05-13), The Business: Q&A with WELL WISHES, retrieved 2016-07-11
^Wiggins, Peter. "Post Production on "What Happened, Miss Simone?" An Oscar Nominated Documentary Edited on Final Cut Pro X". Retrieved 2016-07-11.
^"ENTREVISTA: Montando cine con Final Cut Pro X". 11 March 2015.
^Courtens, Ronny. "Hollywood veteran Lance Bachelder explains why he has chosen to use Final Cut Pro X on his latest feature film "Saved By Grace"". Retrieved 2016-07-11.
^"ART OF THE CUT: JAN KOVAC CUTS "WHISKEY TANGO FOXTROT" ON FCP-X by Steve Hullfish - ProVideo Coalition". 2016-03-09. Retrieved 2016-07-11.
^Wiggins, Peter. "Post producing the budget feature Saturday's Warrior on Final Cut Pro X". Retrieved 2016-07-11.
^Steve, Hullfish (2016-05-30). "ART OF THE CUT – CLAYTON CONDIT CUTS "VOICE FROM THE STONE" ON FCP-X". ProVideo Coalition.
^"Manuel Terceño Explains Why He Used Final Cut Pro X to Edit 2 Award-Winning Spanish Movies from 2017, and a Prestigious Drama Television Series to be Released in 2018".
^"X2Pro Audio Convert - Zealous Pictures is Enthusiastic about Marquis' X2Pro for First Feature Film: Bokeh". Retrieved 2016-07-15.
^"Why Final Cut Pro X? Todo Lo Demás by Mike Matzdorff - ProVideo Coalition". 26 March 2017.
^"ENTREVISTA: El montaje de la Historia de Jan con FCPX". 2 November 2016.
^Courtens, Ronny (27 November 2016). "Organising and Managing 480 Hours of Footage in FCPX, Editing One of Europe's Major Feature Films of 2017". FCP.co. Retrieved 11 December 2017.
^"Follow a Final Cut Pro X editor edit a feature film online".
^"Why Final Cut Pro X? A Producer's POV - Feature Film: Daisy Winters by Mike Matzdorff - ProVideo Coalition". October 2017.
^"Sleep Has Her House — Scott Barley". scottbarley.com. Retrieved 2022-08-16.
^"Indie Feature Film Cut in FCPX 10.3.4". 29 June 2017.
^"Editing a Boxing Movie on FCPX: An Updated Journey".
^"Off the Tracks - A Documentary About How Final Cut Pro X is Disrupting the Post Production Industry".
^"How Jezebel, the Netflix Acquired Feature Was Cut on Final Cut Pro X".
^"Final Cut Pro X and 35mm Film Can be Friends by Emilie Southern - ProVideo Coalition". 24 March 2020.
^"Deliver 8K Dailies in Minutes with this New Workflow from LumaForge". 27 June 2019.
^"We Are Publishing the First Videos from FCPX World in Broadcast at IBC".
^"Editing a massive documentary in Final Cut Pro X shot on RED". 4 August 2017.
^Honeyball, Will [@willhoneyball] (2016-11-29). "@FCPdotCO I just edited a feature in 6 weeks using #fcpx (and I upgraded to 10.3 mid-project) Couldn't have done it in any other NLE! t.co/aXHTdcuGmu" (Tweet). Retrieved 2020-12-29 – via Twitter.
^Honeyball, Will [@willhoneyball] (2016-11-28). "Colourful picture lock! @TheIsleMovie @fizzgingerfilms #fcpx t.co/NJ7THNDvLy" (Tweet). Retrieved 2020-12-29 – via Twitter.
^"Dan Allen / Filmmaker on Facebook". Facebook. Archived from the original on 2022-04-27.[user-generated source]
^"Cutting My Latest Feature "Psychosynthesis" on FCP X - Still My Favorite Creative Editorial Tool". 15 November 2019.
^"The Unique Finishing Workflow I Used to Grade, Mix, & Master My Feature Film". 19 April 2018.
^"Editing Against the Clock in FCPX – director | editor | guitarist".
^"My Second Feature Film "CHASING MOLLY" cut in FCPX. Release MAY 7, 2019 – director | editor | guitarist".
^"Behind the Scenes of Mark Toia's Feature Film Debut, "Monsters of Man"". 7 December 2020.
^Wiggins, Peter. "How I learned to stop worrying and love Final Cut Pro X". Retrieved 2016-07-11.
^"ART OF THE CUT with documentary editor David Tillman by Steve Hullfish - ProVideo Coalition". 6 March 2018.
^Courtens, Ronny. "Cut With FCPX: The Prestigious Period Mystery-Thriller 'La Peste' Surpasses 'Game Of Thrones' To Become The Most Watched Television Series In Spain". fcp.co. Retrieved 2020-04-27.
^"Multi-award Winning Production Company Delivering Prime Time Content in More than 30 Countries Builds a State-of- The-Art Facility Around Final Cut Pro X".
^"Spanish Post Production Manager and Senior Editor David López Explains Why the Award-Winning Prime Time TV Show Salvados Went FCPX".
^"Cut People on Facebook". Facebook. Archived from the original on 2022-04-27.[user-generated source]
^"Focus on Making an HBO Documentary 4/28/21". YouTube.
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Final Cut Pro X
Video editing software by Apple
Final Cut Pro, previously Final Cut Pro X, is a professional non-linearvideo editing software published by Apple Inc. as part of their Pro Apps family of software programs. It was released on June 21, 2011 for sale in the Mac App Store. It is the successor to Final Cut Pro.[1][2] It was renamed "Final Cut Pro" in November 2020, coinciding with the release of macOS Big Sur.[3]
Features[edit]
Final Cut Pro X shares some of both its code and interface design philosophy with Apple's consumer video editing software, iMovie.[4][5]
Interface[edit]
Event browser: Replacing “bins” in other NLEs, the event browser is where the original media is found and can be searched and sorted by various forms of metadata. Keyword ranges, favorite and rejected ranges, and smart collections allow for faster sorting of a large number of clips.
Magnetic timeline: Inventing an alternative to track-based timelines found in traditional NLEs, Final Cut's magnetic timeline uses clip connections to keep connected clips and secondary storylines in sync with clips located on the primary storyline. By default, clips move around each other "magnetically", filling in any gaps and avoiding clip collisions by automatically bumping clips out of the way vertically. The magnetic connections are also user-definable.
Roles: In order to separate and organize different audio types on the magnetic timeline, editors can designate what "role' each clip plays. Introduced in version 10.0.1, Roles can be assigned to clips as an alternate way of creating organizational functionality. A Role (or Sub-Role) gets assigned to clips to identify what it is (for example Video, Titles, Dialogue, Effects, Music). Upon Sharing a Master File of the Project the various Roles can be split out as stems or in a multitrack file for broadcast delivery or other distribution needs.
Content auto-analysis: Found in the import window and event browser is the option to analyze media for shot type and facial recognition or fix potential problems like audio loudness, audio hum, channel grouping, background noise, color balance, pulldown removal, and stabilization. This process generates metadata that can automatically be organized as Keywords and can be grouped into Smart Collections.
Synchronized clips: Video and audio clips recorded on separate devices can be synched automatically by timecode, audio waveforms, and markers together as a single clip.
Compound clips: Nested sequences from the original Final Cut Pro have been replaced by compound clips. A selection of video and audio clips can be nested into a single compound clip. This compound clip can be opened in its own timeline or broken apart for further editing. It can also be reused in different projects.
Closed captions: Introduced in version 10.4.1, closed captions can be created right in the timeline or imported into the timeline from an external file.
Multicam editing: Introduced in version 10.0.3, multiple camera angles can be synchronized automatically and combined into a multicam clip. Once in the timeline, a multicam clip can be cut up into different angles by using the angle viewer. A multicam clip can be opened in the angle editor where new angles can be added, synched, relabeled, and rearranged at any time.
Auditions: Clips can be grouped together in the event browser or on the timeline as auditions. Once in the timeline, an audition allows the user to choose between different clips in their edit while the timeline ripples automatically in order to preview two or more different versions of a cut.
3D titles: Introduced in version 10.2.0, text can be extruded, textured, lit, and shaded with materials and environments in 3D. This allows users to create titles like those found in Hollywood movies directly in the application.[6]
360 degree video editing: Introduced in version 10.4. import and edit 360° equirectangular video in a wide range of formats and frame sizes.
Advanced color grading
High dynamic range
Technical features[edit]
While inheriting the name from its predecessor, Final Cut Pro, Final Cut Pro X is a completely re-written application. As a native 64-bit application it takes advantage of more than 4GB of RAM. It utilizes all CPU cores with Grand Central Dispatch. Open CL support allows GPU accelerated processing for improved performance for playback, rendering, and transcoding. It is resolution-independent, supporting images sizes from SD to beyond 4K. Final Cut Pro X supports playback of many native camera and audio formats.[7] It can also transcode video clips to the Apple ProRes codec for improved performance.[8][9] Many tasks are performed in the background such as auto-saving, rendering, transcoding, and media management, allowing the user an uninterrupted experience.[10] Final Cut Pro X was developed for macOS only.[11][12]
Workflow integration[edit]
Motion 5
Titles, motion graphics, effects generated in Motion 5 can be published to Final Cut Pro X. Inside the Final Cut Pro X, editors can modify the parameters and contents of the effects, as long as the permission for such modifications is turned on in the Motion 5 project file.
Adobe Photoshop
In Final Cut Pro X 10.0.3 and later, the editor can import Photoshop projects onto the storyline similar to a still image. A Photoshop project with layers is treated similar to a compound clip and the layers are preserved after being imported into the Final Cut Pro X. Individual layers of the Photoshop project can be toggled on or off inside the Final Cut Pro X by double-clicking the imported project and going into the compound clip editing panel. Other adjustments to the Photoshop project should be performed on the imported Photoshop project using Adobe Photoshop program with updates happening in real-time inside Final Cut Pro X.
Development[edit]
Final Cut Pro X was made available for purchase and download on the Mac App Store on June 21, 2011 along with new versions of Motion and Compressor.[2][13] Since then the application has been updated a few times each year with new features, bug fixes, native codec support, and overall improvements with stability.[14]
Many features found in Final Cut Pro 7 that were missing in Final Cut Pro X on its initial release[15] have subsequently been added such as: XML import and export, server support, multicam editing, chapter markers, and broadcast monitor support.[16]
Because Final Cut Pro X abandoned a track-based timeline in favor of the Magnetic Timeline initially there were limitations in exporting audio stems for Broadcast and Distribution needs. On September 9, 2011 version 10.0.1 was released with a new solution to this problem, the introduction of Video and Audio Roles. Clips are assigned Roles and upon Sharing a Project the user could export Multitrack Quicktime Files or Stems.[17][18] AAF export is done with a third-party app X2Pro which uses FCPXML. Another method is to use Logic Pro X to make an AAF.
With version 10.0.6 released on October 23, 2012, Apple introduced native Redcode Raw support as well as MXF support through a third party plugin. MXF was eventually natively supported by version 10.1.4.[19]
Prior to the introduction of version 10.1.0 Project and Event Libraries were separate folders. Events contained all the original media and Project Libraries contained the actual edited Projects on timelines. The Project and Event Libraries were stored in a user's Movie folder or on the root level of an external hard drive. These Libraries automatically opened in Final Cut Pro X depending on which hard drives were mounted. That all changed on December 19, 2013, when Project and Event Libraries were merged into a new Library model. Libraries contained Events which in turn contained Projects. And unlike before Libraries could be opened and closed by the user. Media could be stored internally in the Library or kept outside the Library. On June 27, 2014 media management was further refined with the release of version 10.1.2.[20]
During the NAB Show 2015 Apple released version 10.2.0. 3D Titles were introduced directly in Final Cut Pro X as well as its companion application, Motion. The Color Board merged with a new Color Correction effect to allow for more flexibility in stacking layers of effects. The ability to apply a Keying or Shape Mask directly to any effect was also introduced.[21]
Version 10.3 introduced an entirely new interface and an improved magnetic timeline. Support for iXML metadata when importing audio. Audio editing vastly improved. Audio roles can be shown in lanes. REC 2020 color import, edit, and export. MXF support.
Version 10.4.0 introduced color wheels and color curves, 360º video editing and High Dynamic Range (HDR) video,
During the NAB Show 2018 Apple released version 10.4.1. Closed Captioning was introduced as well as support for ProRes RAW. Version 10.4.1 requires Mac OS version 10.13.2 High Sierra.
Release history[edit]
Version
Date
Significant changes
10.0.0[2]
June 21, 2011
All new application with redesigned GUI
64-bit support
An advanced searchable database called the event browser that uses keyword ranges and smart collections for clip sorting
New magnetic timeline that abandoned traditional track-based NLE paradigms
Live skimmer
Filmstrip thumbnail view
Advanced metadata views in clip info inspector
New color-board interface for color correction
ColorSync with the AV Foundation for accurate color monitoring[22]
Requires Mac OS X Snow Leopard 10.6 or later
10.0.1
September 9, 2011
Audio roles for audio and video stem exports
XML import and export
Xsan support
Custom start timecode for projects
10.0.2
November 16, 2011
10.0.3[23]
January 31, 2012
Multicam clips, automatic sync, mixed formats and frame rates, up to 64 angles, and new angle editor interface
Media relinking
Layered Photoshop documents support
Beta broadcast monitor support
XML 1.1
10.0.4
April 10, 2012
10.0.5
June 11, 2012
10.0.6
October 23, 2012
Multichannel audio editing in the timeline
Unified import window. export selected ranges
Native Redcode raw support
MFX support through third-party plugin
Dual viewers with scopes
Chapter markers for video file, DVD, and Blu-ray disc exports
Range selections preserved with clips in the event browser
Paste attributes option for choosing specific effects to copy between clips
Drop shadow effect
Compound clips saved in the timeline save in the event browser to be reused in other projects
XML 1.2
Blade all command
10.0.7
December 6, 2012
10.0.8
March 26, 2013
Sony XAVC codec support
Arri Alexa Log C to Rec 709 LUT
10.0.9
July 30, 2013
10.1.0
December 19, 2013
Event and project libraries now merged into new library model
Support for dual GPUs in Mac Pro
New 4K title, transition, and generators content
External or internal media management options for libraries
Project snapshots for versioning; custom project frame sizes
Native support for .MTS and .MT2S AVCHD files
Used media indicators
API for third parties to create custom share options
4K video sharing to YouTube
XML 1.3
Performance enhancements
Requires OS X Mavericks 10.9 or later
10.1.1
January 16, 2014
Bug fixes and performance enhancements
10.1.2
June 27, 2014
Improved media management for libraries
Used media ranges apply to compound, multicam, and synched clips
Apply LUT corrections to view log footage from Arri, Blackmagic, Canon and Sony Cameras in Rec. 709 colorspace
XML library export
Automatically create keywords on import from Finder tags
4K video sharing to Vimeo
XML 1.4
10.1.3
August 19, 2014
10.1.4
November 25, 2014
Native support for MXF
Panasonic AVC-LongG codec support
10.2.0[6]
April 13, 2015
3D Titles
Simultaneously display up to four video scopes
Keying and shape masks can be applied to any effect
Color board now merged with new color correction effect
Support for Panasonic AVC-Ultra, Sony XAVC S, JVC Long GOP codecs
GPU-accelerated RED raw processing
Smart collections at the library level
XML 1.5
Requires OS X Yosemite 10.10.2 or later
10.2.1
May 14, 2015
10.2.2
September 4, 2015
Sony XAVC-L, Canon XF-AVC 8-bit, and Panasonic AVC-Intra 4:4:4 codec support
Export interlaced H.264
Library backup on asset management systems
10.2.3
February 4, 2016
Customizable default effect
4K export preset for Apple devices
Performance enhancement for SANs
Support for XF-AVC codecs
Sharing to multiple YouTube accounts
Will not run on macOS High Sierra 10.13 or newer.
10.3
October 27, 2016
Interface improvements
Magnetic timeline 2
Wide color gamut
Support for the touch bar on MacBook Pro
More video formats
XML 1.6
Requires OS X El Capitan 10.11.4 or later
10.3.4
March 25, 2017
10.4
December 14, 2017
Import and Edit 360°/VR equirectangular video
Color correction redesign
Support for 8K projects and videos
HEVC support
HDR support
XML 1.7
Requires macOS Sierra 10.12.4 or later
10.4.1
April 15, 2018
Support for embedded closed captioning
Support for ProRes RAW
XML 1.8
Requires macOS High Sierra 10.13.2 or later
10.4.2
April 30, 2018
10.4.3
June 21, 2018
Support for Pro-Res RAW files
10.4.4
November 15, 2018
Workflow extensions
Batch sharing
Video noise reduction
Timecode window
Comparison viewer
Tiny planet
Captions, timeline drag, comic-ization, new 360° transitions
Improvements to 360° video, audio, closed captions, color correction, effects, multicam, roles, timeline, titles
10.4.5
January 17, 2019
10.4.6
March 21, 2019
Detects and offers the option to convert media files incompatible with future macOS versions – those after Mojave 10.14[24]
10.4.7
October 7, 2019
New Metal-based processing engine for faster rendering, compositing and exporting.
Better multiple GPU compatibility
New color tools
View HDR content tone-mapped to look correct on SDR displays if running macOS Catalina
Requires macOS Mojave 10.14.6 or later
10.4.8
December 10, 2019
10.4.9[25]
August 25, 2020
Enhancements to proxy workflows
Automated tools for social media cropping
Editorial workflow improvements
XML 1.9
10.4.10
September 24, 2020
10.5
November 12, 2020
Improved performance and efficiency on Mac computers with Apple silicon
Option to create a copy of your library and automatically transcode media to ProRes Proxy or H.264 at various resolutions
Requires macOS Catalina 10.15.6 or later
10.5.1
December 20, 2020
Option to share video to Youtube and Facebook
10.5.2
March 4, 2021
Adds support for a new Universal RED plugin enabling native RED raw decoding and playback on both Apple silicon and Intel-based Mac computers
Improves stability when playing back H.264 video files with corrupt data
10.5.3
June 17, 2021
Create and edit custom column views with the new column editor
Search for media in the browser using expanded criteria including clip names, markers, and notes
Sort clips in the browser according to type, including proxy, optimized, and missing media
Restores support for copying clips from the Finder and pasting into the timeline
10.5.4
July 8, 2021
Improves stability when exporting with certain macOS Language & Region preferences
Improves stability when playing H.264 or HEVC media
Last supported version for macOS Catalina
10.6
October 18, 2021
Drag effects, titles, or generators into the viewer to automatically detect, track, and match the movement of faces or objects using machine learning.
Manually add a tracker from the inspector, adjust its mask shape, and choose between different tracking analysis types.
Cinematic Mode
Edit videos recorded with iPhone 13 in Cinematic mode (requires macOS Monterey).
XML 1.10 inside a new .fcpxmld bundle format
Requires macOS Big Sur 11.5.1 or later
10.6.1
November 15, 2021
Stability and reliability improvements
10.6.2
April 12, 2022
Filtering of background noise in audio using machine learning (requires macOS 12.3 or later)
iMovie iOS 3.0 import
Locate clips that appear more than once in a project
For a complete overview of the changes made, see Apple's release notes.
Reception[edit]
Final Cut Pro X was announced in April 2011 simultaneously at the Los Angeles Final Cut Pro Users Group held at Bally's Las Vegas and at the NAB Show in the Las Vegas Convention Center and released in June 2011.[13][26]
The reaction was extremely mixed, with veteran film editor Walter Murch initially saying, "I can't use this," citing a lack of features compared to Final Cut Pro 7. In a 2015 interview, Murch was much less critical of the tool and suggested that he was interested in using it.[27]
Missing features and issues noted as essential to professional video production in FCPX included lack of edit decision list (EDL), XML and Open Media Framework Interchange (OMF) support, inability to import projects created in previous releases of Final Cut Pro, a lack of a multicam editing tool, third-party I/O hardware output, and videotape capture being limited to Firewire video devices only, including capture with third-party hardware,[15] were addressed within the first six months of the product's life. EDL export, a product of the early days of videotape editing, is now supported through third-party software[28] and creating an AAF (a newer version of OMF)[29] for passing projects to Pro Tools through X2Pro.
Since then, in some people's opinions, some of Final Cut Pro X's initial shortcomings have been fixed.[30][31]
Apple announced in April 2018 that there are more than 2.5 Million users of Final Cut Pro X.[32]
Ecosystem[edit]
Since its release, FCP X has supported the construction of effect, transition, and title plugins by publishing custom-built effects from Apple Motion. This has led to a third-party ecosystem of developers building effects from simple color corrections to complex templates.[33] Third-party plug-ins can also be created through Apple's FxPlugSDK.[34] As Projects, Events, and Libraries are stored in a database format; this has allowed many third-party developers to build workflow tools by utilizing FCPXML.[35]
Feature films and television shows edited with Final Cut Pro X[edit]
Film[edit]
Television[edit]
References[edit]
^"Final Cut Pro X - Overview". Apple. Retrieved 2016-07-12.
^ abc"Apple - Press Info - Apple Revolutionizes Video Editing With Final Cut Pro X". www.apple.com. Archived from the original on 2011-07-04. Retrieved 2016-07-12.
^Espósito, Filipe (November 13, 2020). "Apple drops the 'X' from Final Cut Pro branding, adds support for M1 Macs". 9to5Mac. Retrieved September 21, 2022.
^Alex (20 June 2014). "Future Final Cut Pro X hidden in iMovie 10.0.3". alex4d.com. Retrieved 2016-07-12.
^Alex (6 November 2013). "Final Cut Pro X 10.1 revealed?". alex4d.com. Retrieved 2016-07-12.
^ ab"Apple - Press Info - Apple Updates Final Cut Pro X, Motion and Compressor". www.apple.com. Retrieved 2016-07-12.
^"Final Cut Pro X: Supported media formats". support.apple.com. Retrieved 2016-07-12.
^"Learn about media formats and how to create optimized media in Final Cut Pro X – Apple Support". support.apple.com. Retrieved 2016-07-14.
^"Optimize, Transcode, Render, Share in FCPX". fcpx.tv. Retrieved 2016-07-14.
^"Quick Tip: Control Rendering and Background Tasks In Final Cut Pro X – The Beat: A Blog by PremiumBeat". 2011-08-13. Retrieved 2016-07-14.
^"Final Cut Pro X – Tech Specs". Apple. Retrieved 2016-07-12.
^"Final Cut Pro X – What Is – Apple". www.apple.com. Retrieved 2016-07-12.
^ ab"Apple Demos Final Cut Pro X at NAB 2011". Mac Rumors. 12 April 2011. Retrieved 16 April 2011.
^"Final Cut Pro X release notes - Apple Support". support.apple.com. Retrieved 2016-07-14.
^ ab"Final Cut Pro X: The Missing Features - The Beat: A Blog by PremiumBeat". 2011-06-21. Retrieved 2016-07-14.
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