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What’s New in Photoshop CC 2014
Adobe has added some incredibly useful new features to Photoshop CC 2014, especially where productivity is concerned. Graphic designers will be especially pleased with all the new features and timesaving goodies, although there’s also a lot of good stuff for photographers, too.
Perhaps the first thing you’ll notice is that Adobe redesigned most of the program’s dialog boxes to accommodate Retina displays (Apple’s super-high resolution monitors, called HiDPI on PCs), so they’re noticeably shorter and wider (they’re also a darker gray and the buttons are square, so they look more Windows-like than Mac-like in their design).
Here’s a quick overview of all the new stuff (don’t worry if you don’t yet understand some of the terms used here—you’ll learn them as you read through this book):
New blur filters. This version of Photoshop CC sports two additions to the Blur Gallery family of filters that let you simulate motion in a photo that doesn’t have any (or that doesn’t have enough). The Path Blur filter lets you create the appearance of motion along a path that you draw—it can be straight or riddled with curves—and then fine-tune the blur’s direction, angle, speed, and even how much blurring occurs at the path’s start and end points. And the Spin Blur filter lets you put an incredibly realistic spin on any object by using a simple set of on-image controls. Both filters let you customize how blurry the object appears.
Typekit access, font searches, and instant font previews. One of the great benefits of having a subscription to Adobe’s Creative Cloud service (see the box on Meet the Creative Cloud) that it gives you access to hundreds of fonts via the online font service Typekit (www.Typekit.com). In this version of the program, you can get to these fonts right from Photoshop’s font family menu and—once you install them (which is incredibly easy)—you can use them in any program on your machine that sports a font menu. Also new in the realm of text is the ability to search all your installed fonts by typing part of a font’s name (or attribute) into the font family menu. And when a type layer is active, you can point to any font in the font family menu and Photoshop previews your existing text in that font, right there in your document.
Better smart guides. These incredible layer alignment helpers are now turned on automatically, and now show you a lot more info about the spacing in your document. When you have the Move or Path Selection tool active, you can ⌘-click (Ctrl-click on a PC), and then point anywhere in your document to see distance measurements between the currently active layer’s content and everything else in the document (even its edge). By Option-dragging (Alt-dragging) an object, you can both duplicate that layer and see the distance between the duplicate and the original object as you drag.
Sync layer comps and access them in smart objects. Layer comps let you create multiple versions of an image or design without having to duplicate the document. New in this version of the program, you can update layer comps by syncing them with the layers you updated (a big timesaver when you make a global change to your project), plus you can access a document’s layer comps after you’ve placed it into another document as a smart object—without opening (editing) the smart object.
Linked smart objects. Instead of embedding smart object content into your documents, you can now link then to external content. This is great news for both designers and photographers who routinely combine large files into a single document. You can now also convert an embedded smart object into a linked one, or vice-versa. The Properties panel, Info panel, and status bar can all display handy info about linked smart objects, as well as help you fix any broken links (caused by renaming or moving the linked file on your hard drive) and update any content that you changed while the Photoshop document that contains it was closed. Finally, the new Package command copies the Photoshop document and all its linked content so you can easily hand the whole shebang off to someone else.
Select in-focus areas with Focus Area. This new command summons a dialog box that automatically selects the in-focus parts of an image. It does a great job if the photo has a strong focal point and a blurry background, and the dialog box includes a couple of sliders and brushes that you can use to fine-tune the selection. You can also send the selection straight over to the Refine Edge dialog box for more tweaking.
Better color blending with content-aware tools. All of Photoshop’s content-aware tools now work faster and do a better job of blending colors, especially when you use them in an area that’s a gradient (think skies, water, and so on). These days, instead of having adaptation presets for the Patch and Content-Aware Move tools, you get a Structure and a Color field that let you enter precise settings for more realistic blending. Adobe also updated the Fill command’s Content-Aware option to perform better blending, and it now includes a Color Adaptation checkbox.
Editable scripted patterns. Scripted patterns are a fantastic way to create new textures and backgrounds, although editing the JavaScript that powers ’em was a real pain. Now, choosing one of the eight built-in scripts summons a dialog box that lets you easily customize the pattern’s density, size, and color variations. You can apply scripted patterns to paths, too, as well as save your customizations as handy presets that you can use again later.
Perspective warp. This command lets you change the perspective of an image, but only in certain areas that you specify. By drawing a grid atop your image, you can warp that area to make stuff like buildings and flat surfaces look correct (in other words, straight instead of angled).
Editable masks for Camera Raw’s Graduated and Radial filters. Camera Raw’s Graduated and Radial filters are perfect for applying gradual changes to a photo in a linear or circular fashion (respectively). And you can now edit the masks made by both filters by using a brush. (Camera Raw is discussed throughout this book, but the bulk of the coverage is in Chapter 9.)
Export web graphics with Generator. To the delight of web designers worldwide, the new Generator feature lets you instantly export web graphics that you’ve designed in Photoshop—and even create subfolders to organize them—just by using certain layer names. You’ve got to try this feature to believe it.
3D printing. You can now print 3D objects on a local 3D printer or send your file off to a 3D-printing service from inside Photoshop. The print preview that you get is incredible and even shows you the areas Photoshop filled in to make the object solid enough to print. If you go the printing-service route, the preview even estimates how much the project will cost. Chapter 21 helps you get started working in the increasingly popular realm of 3D.
There are also tons of little changes in Photoshop CC 2014, the direct result of Adobe’s customer-feedback initiative called Just Do It (JDI). Here’s a list: You can unlock a background layer by single-clicking its padlock icon (hooray!); you can turn the Color panel into a Color Picker that’s always open; you no longer have to unlock a background layer to add a vector-based layer mask to it; you can create gradients with a single color stop; and the process for syncing your settings to the Creative Cloud is simpler and now includes workspaces, keyboard shortcuts, and menu customizations. You can also export 3D color lookup tables for use in Adobe’s pro-level video editing apps; and the Copy CSS command now understands inner-shadow layer styles. When using the Liquify filter, you can pin the image’s edges down so they don’t get warped. The Brushes panel displays the last 30 brushes you used at the top of its panel for quick access, and uses a special highlight color to let you know when you’ve modified a brush’s settings. There’s also an Experimental Feature Manager tucked inside Photoshop’s preferences that lets you access “not yet ready for prime time” features that Adobe periodically releases.
Unfortunately, Adobe removed some useful panels because they were Flash based, including the Mini Bridge, Kuler, and Adobe Exchange panels (though, as Other Color Scheme–Generating Tools explains, you can download Kuler from the Adobe Add-On website as an HTML-based panel). The Oil Paint filter also went the way of the dodo bird in this version due to outdated code (easy come, easy go!).
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About Adobe Photoshop (32-bit)
The Adobe Photoshop family of products is the ultimate playground for bringing out the best in your digital images, transforming them into anything you can imagine, and showcasing them in extraordinary ways. From photo editing and compositing to digital painting, animation, and graphic design — you can do it all in Adobe Photoshop 2022 - Get all the state-of-the-art editing, compositing, and painting capabilities in industry-standard Adobe PS software plus tools that let you create and enhance 3D images and motion-based content. The software - Take advantage of powerful new photography tools and breakthrough capabilities for superior image selections, image retouching, realistic painting, and a wide range of workflow and performance e... Read More »
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Adobe Photoshop CC 2014 Tutorial GETTING STARTED Adobe Photoshop CC 2014 is a popular image editing software that provides a work environment consistent with Adobe Illustrator, Adobe InDesign, Adobe Photoshop, and other products in the Adobe Creative Suite. This tutorial is an introduction to using Adobe Photoshop. Here you will learn how to get started, how to use the interface, and how to modify images with basic editing skills. TABLE OF CONTENTS 1. Getting Started Pg. 3 2. Interface Layout Pg. 5 3. Palettes Pg. 6 4. Toolbox Pg. 9 5. Selection Tools Pg. 10 6. Alteration Tools Pg. 11 7. Drawing and Selection Tools Pg. 12 8. Assisting Tools Pg. 12 9. Color Boxes and Modes Pg. 13 10. Cropping Pg. 13 11. Resizing Pg. 17 12. Correcting Pg. 20 13. Saving Pg. 25 2 1. GETTING STARTED 1. Begin by opening Adobe Photoshop CC 2014. On a PC, click Windows button at the bottom left corner > Programs > Adobe > Photoshop CS6, or click on the shortcut on the desktop. On a Mac, click Go > Applications > Adobe Photoshop CC 2014 (Figure 1). Figure 1. Navigation to Photoshop CS6 on a Mac Setting up the document Setting up your document correctly from the start will make your job much easier as you work through your project. This will require some advanced planning. For example, if your inal output will be a brochure, you may need to set up your document to be horizontal and double-sided. To create a new document, click File > New. This will open the Document Setup dialog box (Figure 2). 3 Figure 2. Document Setup dialog box Here you will be able to name your ile, set up the correct page size and orientation for your document. Options include, but are not limited to: Page Size and Orientation Change the page size by typing in new values for width and height. Page size represents the inal size you want after bleeds or trimming other marks outside the page. In the Preset dropdown menu you can ind such common compatibilties as Photo, Web, ect. Typing in exact values for Height and Width gives you more control over the size and orientation of your page. Resolution Resolution is the number of pixels on a printed area of an image. The higher the resolution, the more pixels there are on the page, the better the quality of the image. However, high resolution increases the size of the ile. The standard recommended resolution for printed images is 150-300, for Web images it is 72. Color Mode Choose a color mode that will best it your project. For example, when making a graphic for a web site, choose RGB. When making an image for print choose CMYK. Background Contents Choose the background: white, color or transparent. When you have entered all of your document settings, click Ok. Opening an image from a disk If the image you have is saved on a disk or to the computer, select File > Open, and then navigate to the disk drive/ile where your image is saved. Choose the image ile and click Open. At this point, you may want to save your image under a different name so that you can always have the original to fall back on in case of a mistake. To save your ile, select File > Save As and type in the new name of the ile in the dialogue box. 4 2. Interface Layout PALLETES Figure 3. This is the layout of Adobe Photoshop interface. Menu Bar If you look at the top of the screen you will see the Menu bar (Figure 3), which contains all the main functions of Photoshop, such as File, Edit, Image, Layer, Type, Select, Filter, Analysis, 3D,View, Window, and Help. Toolbar Most of the major tools are located in the Toolbar for easy access. The Image The image will appear in its own window once you open a ile. Image Name The name of any image that you open will be at the top of the image window as shown above. Palettes Palettes contain functions that help you monitor and modify images. By default, palettes are stacked together in groups. These are the palettes that are usually visible: Color, Adjustments and Layers. If none of the palettes are visible, go to Window in the Menu bar and choose the palettes you need. 5 3. Palettes Below is the description of the most commonly used palettes in Adobe Photoshop CS6. Palettes used for more advanced image editing will be covered in the Adobe Photoshop CS6 Tutorial - Intermediate. Color, Swatches, Style The Color palette (Figure 4) displays the current foreground and background colors and RGB values for these colors.You can use the sliders to change the foreground and background colors in different color modes.You can also choose a color from the spectrum of colors displayed in the color ramp at the bottom of the palette. Figure 4. Color palette In the Swatches palette (Figure 5) you can choose a foreground or background color and add a customized color to the library. Figure 5. Swatches palette The Styles palette (Figure 6) allows you to view, select, and apply preset layer styles. By default, a preset style replaces the current layer style.You can use the styles in the palette or add your own using the Create New Style icon. Figure 6. Styles palette 6 History The History palette (Figure 7) stores and displays each action performed allowing you jump to any recent stage of the image alteration. The alterations should be created during the current working session. After saving or closing the document, the History palette clears all the contents. Each time you apply a change to an image, the new state of that image is added to the palette. It is important to know that once you click on any of the previ- ous stages, all the changes that were made after it will be lost. Figure 7. History palette Adjustments The Adjustment layers palette give you the ability to apply an effect to a group of layers in Photoshop, and then you can edit that effect later, while preserving the original layers. Figure 8. Adjustments palette 7 Layers Layers let you organize your work into distinct levels that can be edited and viewed as individual units. Every Photoshop CS6 document contains at least one layer. Creating multiple layers lets you easily control how your artwork is printed, displayed, and edited.You will use the Layers palette (Figure 9) often while creating a docu- ment, so it is crucial to understand what it does and how to use it. A) Layer Visibility -The eye shows that the selected layer is visible. Click on or off to see or to hide a layer. B) Layer Locking Options -Click the checkered square icon to lock Transparency, click the brush icon to lock the Image, click the arrow icon to lock the Position, and click the lock icon to lock all options. C) Layer Blending Mode -Deines how the layer’s pixels blend with underlying pixels in the image. By choosing a particular blending mode from the drop-down menu you can create a variety of special effects. D) Fill -By typing in a value or dragging the slider you can specify the transparency. E) Opacity -By typing in a value or dragging the slider, you can specify the transparency of the entire layer. Figure 9. Layer palette F) Layer Lock -The icon shows when the layer is locked and disappears when it is unlocked. Double-click the icon to unlock the layer. G) Layer Options Menu -Click the black triangle to display the following options: New Layer, Duplicate Layer, Delete Layer, Layer Properties, etc. Some of the options are presented as icons at the bottom of the Layers palette. H) Link Layers – Can be used to link layers together. I) Layer Styles -If a layer has a style, an “F” icon shows at the bottom of the Layers palette. Click the little black triangle to see style options. 8 J) Layer Mask -Allows you to hide certain parts of the layer, which can then be revealed by using the paintbrush and the white paint color to expose portions of the layer. K) Layer Set -This option helps to organize images with multiple layers. Click the icon to create a folder for several layers. L) Create New Fill or Adjustment Layer -Have the same opacity and blending mode options as image layers and can be rearranged, deleted, hidden and duplicated in the same manner as image layers. Click the icon and select an option to create a new ill or adjustment layer. M) Create New Layer -Click this icon to create a new layer. N) Delete Layer -To delete a layer, select a layer in the Layers palette and drag it to the trash can icon, or select a layer and click the icon. 4. Toolbox If you used other Adobe products, such as Illustrator or InDesign, you should be familiar with the toolbox in Adobe Photoshop CC 2014 as it shares some of the tools from these applications. If you are a new user of Adobe products, you should keep in mind that you might not need to use all of the tools. In this tutorial, only the basic tools will be discussed in-depth. Some tools in the toolbar have additional “hidden” tools. These tools have small black triangles in the right- hand corner. To view the “hidden” tools, click and hold down on any tool that has a black triangle in the corner (Figure 10). Figure 10. “Hidden” tools Figure 11. Toolbar 9 5. Selection Tools Move Used to select and move objects on the page. Click the tool button, then click on any object on the page you wish to move. Selects an object by drawing a rectangle or an ellipse around it. Marquee Click the tool button, choose a rectangular or an elliptical marquee. Drag the marquee over the area of the image you wish to select. Lasso Selects an object by drawing a freehand border around it. Click the tool button, drag to draw a freehand border around the are of the image you wish to select. Magic Wand Selects all objects in a document with the same or similar ill color, stroke weight, stroke color, opacity or blending mode. By specifying the color range or tolerance, you can control what the Magic Wand tool selects. Crop Click the tool button, then click and drag the tool over the part of the image that you want to keep. Resize the selected area dragging the squares at the sides and corners. Click the Return/Enter key when your crop box is sized correctly. You can also accept it with the check box in the top toolbar. Eye Dropper Takes color samples from colors on the page and displays them in the Color Boxes. Select the tool, click on the color in the image you wish to sample. The Color Box will display this color. To ill a shape or text, select them immediately after illing the dropper. 10 6. Alteration Tools Healing Brush Corrects small blemishes in scanned photos. Select the tool, hold down the ALT key and left-click on the base color you need to heal. Then left-click over the blemish. Brush Draws brush strokes of different thicknesses and colors. Select the tool. Then click on the selected area, drag to draw lines. Use the Options bar to change the brush, mode, opacity and low. Clone Stamp Takes a sample of an image and applies over another image, or a part of the same image. Select the tool. Hold down the ALT key and left-click on a certain point of the document where you want to start your copy point. Then, put your mouse over whatever part of the new document you want the picture to go to. Hold down the left mouse button and drag the mouse across the page to copy the picture. Art History Brush Paints over an image using the source data from a speciied history state or snapshot. Select the tool, specify the brush, blending mode, opacity, style, area and tolerance. Eraser Removes part of an existing path or stroke.You can use the Erase tool on paths. Text can only be erased when rasterized. Select the tool, click on the part of the image you wish to erase. Drag to erase pixels. Paint Bucket Applies a color ill to a selected part of the image or to an entire layer. Select a layer you wish to apply the paint bucket to, click the tool button, click on the starting point, and click the area you wish to ill. Blurs the sharp edges of an image. Blur Select an area where you wish to apply the tool. Click the tool button and choose the brush, mode, and strength. Drag the brush along the edges. 11 7. Drawing and Selection Tools Path Selection Selects paths and path segments. Select the tool, click anywhere on the path. Type Types text on a page. Every time you click the Type Tool on a new portion of the page, a new layer will be created. Select the type tool, click on the page and begin to type.You can specify the font and size in the Options bar.You can also resize and transform the text box by dragging the squares at the sides and corners. Use the Move Tool to move the text on the page. Pen Draws smooth-edged paths. Select the tool, click on the page and drag to draw a path. Click and drag the anchor points to modify the path. Line Shape Draws a straight line. Other shapes that are hidden in this tool are: Rounded Rectangle Tool, Ellipse Tool, Polygon Tool, Line Tool, and Custom Shape Tool. Select the tool, click and drag on the page to draw a line. 8. Additional Tools Hand Allows you to move around within the image. Select the tool, click on the spot on the page, hold the mouse button down, drag to move in the area. Magnify Magniies or reduces the display of any area in your image window. Select the tool, choose Zoom In or Zoom Out in the Options bar, click on the area of the image you wish to magnify or reduce. 12 9. Color Boxes and Modes The foreground color appears in the upper color selection box and represents a color that is currently active. The background color appears in the lower box and represents an inactive color. Color Boxes 1. To change the foreground color, click the upper color selection box in the Toolbox. 2. To change the background color, click the lower color selection box in the Toolbox. 3. To reverse the foreground and background colors, click the Switch Colors icon (the arrow) to the right hand corner of the boxes.. 4. To restore the default foreground and background colors, click the Default Colors icon (the little black and white boxes) to the left hand corner of the boxes. Note: If you are using the Gradient Tool, the currently selected foreground and background colors will be the default colors of the gradient. 10. Cropping Cropping is one of the most basic editing techniques that can improve your images. Cropping helps to bring out the most important features in your image and focus the viewers’ attention on these features. Cropping also allows you to make your image a standard photo size. There are several ways to crop images in Adobe Photoshop: 1. Cropping with the Crop Tool 2. Cropping to a speciic size 3. Cropping with the Marquee Tool Cropping with the Crop Tool The Crop Tool allows you to make a precise selection of an image you wish to edit. To crop with the Crop Tool, follow these steps: 1. Open the image you wish to crop (see Getting Started for detailed instructions). 2. Select the Crop Tool from the Toolbox (see Selection Tools for location and description). 3. It will automatically select your entire image. Drag the edges to it the dimensions you desire. (See Figure 11). 13 Figure 11. Cropping border 4. Resize the border by dragging the squares at the sides and corners untill you are satisied with the way your image looks. 5. Once you are completely satisied with your cropped image, press Enter. NOTE: You can also rotate your cropping border. Move the cursor outside the border, you will see how it turns into a double-headed arrow (Figure 12). Drag the arrows in the directions you wish to rotate your selec- tion. 14 Figure 12. Rotating the cropping border Cropping to a speciic size If you wish to print your digital photos or other images on standard size photo paper, you will have to crop your images to a speciic size, such as 8x10. To crop an image to a speciic size, do the following: 1. Open the image you wish to crop. 2. Select the Crop Tool from the Toolbox. 3. In the Options bar, specify the values for Width and Height (Figure 13). Figure 13. Crop Tool Options bar 4. Click in your image and drag the cropping border. Notice that the border is constrained.You cannot make it wider or longer than the speciied values (Figure 14). For example, if you entered 8 for Width and 10 for Height, whatever size you make the border, the area within it will it on an 8x10 photo. Figure 14. Cropping to a speciic size 5. Once you are completely satisied with your cropped image, press Enter. 15 Cropping with the Marquee Tool If you are in a hurry and need just a simple crop, you can use the Marquee Tool and a menu command. To crop with the Marquee Tool, follow the steps below: 1. Open the image you wish to crop. 2. Select the Rectangular Marquee Tool from the Toolbox (see Selection Tools). 3. Click and drag the mouse to draw a marquee around the area you wish to crop (Figure 15). Figure 15. Drawing a marquee 4. In the main menu, go to Image > Crop (Figure 16). The image will be immediately cropped. Figure 16. Image > Crop 16 11. Resizing Resizing in Photoshop can help you print your images in standard photo sizes, resize and preserve the high quality of digital photos, and enlarge small images to a poster size. Resizing to a speciic size To resize your image to a preset size, follow the steps below: 1. In the main menu, go to File > New. 2. In the New dialog box, click on the Preset dropdown menu.You will see several preset sizes, such as 2x3, 4x6 and 5x7. Remember that 72 ppi is ine for online images, but a ppi of 150-300 is better for printed images. (Figure 17). Figure 17. Preset size in the New dialog box 3. Choose the size that you wish and click OK. NOTE: All the preset sizes are in portrait orientation. If you wish to resize an image with the landscape ori- entation, you need to create your own preset. To create your own size, do the following: 1. Type in the values for Width and Height, for example 7x5. 2. Type in your desired resolution (150 ppi for high quality prints, and 72 ppi is good for web images). 3. Click the Save Preset button 17 Resizing digital photos Digital photos usually have large dimensions but low resolution, 72 ppi, which affects their quality when their size is decreased or increased. When printed, the photos with the changed size will look pixilated. To resize the digital photos without loosing the quality, follow these steps: 1. Open the digital photo you wish to resize. 2. In the main menu, go to View > Rulers.You will see the dimension of your photo (Figure 18). Figure 18. Dimensions of a digital photo 3. In the main menu, go to Image > Image Size. 4. In the Image Size dialog box, uncheck the Resample Image box (Figure 19). Type in your desired resolution (anything between 150 and 300 ppi). The photo is now 3.208 x 3.083 inches. Figure 19. Changing resolution 18 Enlarging If you want to make your digital photo into a poster size image, you can do it in the Image Size dialog box. However, just increasing the dimensions will make the image appear blurry and pixilated. To enlarge the image without losing the quality, follow these steps: 1. Open the digital image you wish to enlarge. 2. In the main menu, go to Image > Image Size. 3. In the Image Size dialog box, make sure the Resample Image box is checked and choose Bicubic Smoother from the dropdown box (Figure 20). NOTE: If the Resampling box is unchecked, the dropdown menu is inaccessible. Always be sure to have it checked. Figure 20. Increasing the size by 10 percent 4. Change the Width and Height measurements to Percent. Type in 110. This will increase the size of the image by 10 percent (Figure 20). 5. Continue enlarging by 10 percent untill you are satisied with the size. 19 12. Correcting Digital cameras tend to cause various problems, such as “red eye” or “hot spots”, if you use lash, or they are underexposed if you don’t. In Photoshop, you can correct these problems, as well as adjust the overall color of your digital photo. Red Eye Removal The digital camera lash is located right above the lens, which causes the “red-eye”; however, you can ix your photos easily in Photoshop. To remove the “red eye”, follow the steps below: 1. Open a photo you wish to correct. 2. Select the Zoom Tool from the Toolbox. Click and drag a rectangle around the eye (Figure 21). Figure 21. Red eye zoomed in 3. Make sure your default Foreground and Background colors are black and white. 4. Click and hold on the little black triangle of the Healing Brush Tool button and select the Red Eye Tool (Figure 22). Figure 22. Red Eye Tool 20 5. Click on the red part of the eye and paint, holding down the mouse button.You will see how the red will disappear (Figure 23). Figure 23. Red eye corrected Hot Spot Removal Using a lash can also cause shiny areas on peoples’ faces or the lash to relect on shiny surfaces. To correct this problem, follow the steps below: 1. Open the photo you wish to correct. 2. Select the Clone Stamp Tool from the Toolbox. 3. In the Options bar, change the Blend Mode from Normal to Darken (Figure 24). Figure 24. Setting the options for the Clone Stamp Tool 4. Set the Opacity to 50 percent. 5. Choose a soft-edged brush, set the diameter to 40 or 50. 6. Hold down the Shift key and click in the clean area (without “hot spots”) to get a sample of color (Figure 25). Figure 25. Blemishes 7. Paint over the “hot spot”, the light area will gradually darken (Figure 26). Figure 26. Corrected image 21 Adding Flash If you took pictures indoors without a lash, they will turn out underexposed and dark. To ix underexposed photos, follow these steps: 1. Open a digital photo you wish to correct (Figure 27). Figure 27. Underexposed photo 2. In the main menu, go to Layers > Duplicate Layer. In the next window, name the layer Layer 1. 3. Make sure Layer 1 is selected in the Layers palette. Select Image from the main menu, select Adjustments and select Exposure (Figure 28). Select the amount of exposure. The whole image will lighten. Figure 28. Changing the Blending Mode 22 4. Keep duplicating Layer 1 untill you are satisied with the your image (Figure 29). Figure 29. Corrected photo Color Adjustment Color adjustment options in Photoshop CS6 can help you to make your digital photos look more natural. To color correct your images, follow these steps: 1. Open the image you wish to correct. 2. In the main menu, go to Image > Adjustments > Levels.You will see a dialog box displaying a diagram of the colors in your image (Figure 30). The black triangle is for shadows, the gray is for midtones, the white is for highlights. In the Channels dropdown menu, you can choose between RGB. These indicate whether your changes effect all the colors, or just one (red, green, or blue). Figure 30. Levels dialog box 23 3. Make sure the Preview box is checked off. Choose the channel you wish to change and drag the triangles. Dragging the black triangle to the right will make the shadows in your photo darker. Dragging the white triangle to the left will make the higlights in your photo lighter. Dragging the gray triangle to the left will make the midtones in your photo lighter, and dragging it to the right will make the midtones darker. You will be able to see the changes in your image. Figure 31 shows a photo which is underexposed. By correcting the highlights and making the image lighter, we are able to make the photo appear much brighter (Figure 32). Figure 31. Underexposed photo Figure 32. Corrected photo 24 13. Saving Remember to save your work often. Saving frequently lessens the risk of losing the work you have been doing. To save your Photoshop document, do the following: 1. Click File > Save As. 2. Navigate to the place you would like your document to be saved by using the drop down menu and the navigation window. 3. Enter the name of your document in the Save As text ield. 4. Choose a format to save your project in from the Format drop-down menu (Figure 33) Figure 33. Saving a document 5. Click the Save button in the bottom right corner of the dialogue box. 6. Check to make sure that your document is saved in the place you intended. NOTE: If you save your ile as PSD (default Photoshop saving format) your layers will be preserved, but the ile size will be large. If you save your ile as JPEG (a common image format) your layers will be lattened and become one layer, and the ile size will be signiicantly smaller. 25
Feature summary 2014 releases
2014 releases of Photoshop CC
The 2014 releases of Photoshop CC rolled out several features and enhancements to enrich your digital imaging experience. Read on for a quick introduction and find links to resources that offer more information about these releases.
Note:For a summary of features introduced in earlier releases of Photoshop CC, see Feature summary Adobe has added some incredibly useful new features to Photoshop CC 2014, especially where productivity is concerned. Graphic designers will be especially pleased with all the new features and timesaving goodies, although there’s also a lot of good stuff for photographers, too. Perhaps the first thing adobe photoshop cc 2014 download notice is that Adobe redesigned most of the program’s dialog boxes to accommodate Retina displays (Apple’s super-high resolution adobe photoshop cc 2014 download, called HiDPI on PCs), so they’re noticeably shorter and wider (they’re also a darker gray and the buttons are square, so they look more Windows-like than Mac-like in their design). Here’s a quick overview of all the new stuff (don’t worry if you don’t yet understand some of the terms used banner maker software Free Activators learn them as you read through this book): New blur filters. This version of Photoshop CC sports two additions to the Blur Gallery family of filters that let you simulate motion in a photo that doesn’t have any (or that doesn’t have enough). The Path Blur filter lets you create the appearance of motion along a path that you draw—it can be straight or riddled with curves—and then fine-tune the blur’s direction, angle, speed, and even how much blurring occurs at the path’s start and end points. And the Spin Blur filter lets you put an incredibly realistic spin on any object by using a simple set of on-image controls. Both filters let you customize how blurry the object appears. Typekit access, font searches, adobe photoshop cc 2014 download, and instant font previews. One of the great benefits of having a subscription to Adobe’s Creative Cloud service (see the box on Meet the Creative Cloud) that it gives you access to hundreds of fonts via the online font service Typekit (www.Typekit.com). In this version of the program, adobe photoshop cc 2014 download, you can get to these fonts right from Photoshop’s font family menu and—once you install them (which is incredibly easy)—you can use them in any program on your machine that sports a font menu. Also new in the realm of text is the ability to search all your installed fonts by typing part of a font’s name (or attribute) into the font family menu. And when a type layer is active, you can point to any font in the font family menu and Photoshop previews your existing text in that font, right there in your document. Better smart guides. These incredible layer alignment helpers are now turned on automatically, and now show you a lot more info about the spacing in your document. When you have the Move or Path Selection tool active, you can ⌘-click (Ctrl-click on a PC), and then point anywhere in your document to see distance measurements between the currently active layer’s content and everything else in the document (even its edge). By Option-dragging (Alt-dragging) an object, you can both duplicate that layer and see the distance between the duplicate and the original object as you drag. Sync layer comps and access them in smart objects. Layer comps let you create multiple versions of an image or design without having to duplicate the document. New in this version of the program, you can update layer comps by syncing them with the layers you updated (a big timesaver when you make a global change to your project), plus you can access a document’s layer comps after you’ve placed it into another document adobe photoshop cc 2014 download a smart object—without opening (editing) the smart object. Linked smart objects. Instead of embedding smart object content into your documents, you can now link then to external content. This is great news for both designers and photographers who routinely combine large files into a single document. You can now also convert an embedded smart object into a linked one, or vice-versa. The Properties panel, Info panel, and status bar can all display handy info about linked smart objects, as well as help you fix any broken links (caused by renaming or moving the linked file on your hard drive) and update any content that you changed while the Photoshop document that contains it was closed. Finally, the new Package command copies the Photoshop document and all its linked content so you can easily hand the whole shebang off to someone else. Select in-focus areas with Focus Area. This new command summons a dialog box that automatically selects Print2CAD Keygen in-focus parts of an image. It does a great job if the photo has a strong focal point and a blurry background, and the dialog box includes a couple of sliders and brushes that you can use to fine-tune the selection. You can also send the selection straight over to the Refine Edge dialog box for more tweaking. Better color blending with content-aware tools. All of Photoshop’s content-aware tools now work faster and do a better job of blending colors, especially when you use them in an area that’s a gradient (think skies, water, and so on). These days, adobe photoshop cc 2014 download, instead of having adobe photoshop cc 2014 download presets for the Patch and Content-Aware Move tools, you get a Structure and a Color field that let you enter precise settings for more realistic blending. Adobe also updated the Fill command’s Content-Aware option to perform better blending, and it now includes a Color Adaptation checkbox. Editable scripted patterns. Scripted patterns are a fantastic way to create new textures and backgrounds, although editing the JavaScript that powers ’em was a real pain. Now, choosing one of the eight built-in scripts summons a dialog box that lets you easily customize the pattern’s density, size, and color variations. You can apply scripted patterns to paths, too, as well as save your customizations as handy presets that you can use again later. Perspective warp. This command lets you change the perspective of an image, but only in certain areas that you specify. By drawing a grid atop your image, you can warp that area to make stuff like buildings and flat surfaces look correct (in other words, straight instead of angled). Editable masks for Camera Raw’s Graduated and Radial filters. Camera Raw’s Graduated and Radial filters are perfect for applying gradual changes to a photo in a linear or circular fashion (respectively). And you can now edit the masks made by both filters by using a brush. (Camera Raw is discussed throughout this book, but the bulk of the coverage is in Chapter 9.) Export web graphics with Generator. To the delight of web designers worldwide, the new Generator feature lets you instantly export web graphics that you’ve designed in Photoshop—and even create subfolders to organize them—just by using certain layer names. You’ve got to try this feature to believe it. 3D printing. You can now print 3D objects on a local 3D printer or send your file off to a 3D-printing service from inside Photoshop, adobe photoshop cc 2014 download. The print preview that you get is incredible and even shows you the areas Photoshop filled in to make the object solid enough to print, adobe photoshop cc 2014 download. If you go the printing-service route, the preview even estimates how much the project will cost. Chapter 21 helps you get started working in the increasingly popular realm of 3D. There are also tons of little changes in Photoshop CC 2014, the direct result of Adobe’s customer-feedback initiative called Just Do It (JDI), adobe photoshop cc 2014 download. Here’s a list: You can unlock a background layer by single-clicking its padlock icon (hooray!); you can turn the Color panel into a Color Picker that’s always open; you no longer have to unlock a background layer to add a vector-based layer mask to it; you can create gradients with a single color stop; and the process for syncing your settings to the Creative Cloud is simpler and now includes workspaces, keyboard shortcuts, and menu customizations. You can also export 3D color lookup tables for use in Adobe’s pro-level video editing apps; and the Copy CSS command now understands inner-shadow layer styles. When using the Liquify filter, you can pin the image’s edges down so they don’t get warped. The Brushes panel displays the last 30 brushes you used at the top of its panel for quick access, and uses a special highlight color to let you know when you’ve modified a brush’s settings. There’s also an Experimental Feature Manager tucked inside Photoshop’s preferences that lets you access “not yet ready for prime time” features that Adobe periodically releases. Unfortunately, Adobe removed some useful panels because they were Flash based, including the Mini Bridge, Kuler, and Adobe Exchange panels (though, adobe photoshop cc 2014 download, as Other Color Scheme–Generating Tools explains, you can download Kuler from the Adobe Add-On website as an HTML-based panel). The Oil Paint filter also went the way of the dodo bird in this version due to adobe photoshop cc 2014 download code (easy come, easy go!). Get Photoshop CC: The Missing Manual, 2nd Edition now with the O’Reilly learning platform. O’Reilly members experience live online training, plus books, videos, and digital content from nearly 200 publishers. Start your free trialWhat’s New in Photoshop CC 2014
Enhanced in this release of Photoshop CC
You can now share libraries with collaborators from within Photoshop. Collaborators must have an Adobe ID. If they don't already have an Adobe ID, they can create one when they accept the invitation to collaborate.
Follow these steps to share a library:
- In the Libraries panel, select a library from the pop-up menu.
- Open the flyout menu and choose Collaborate.
- In the browser page that opens up, provide email addresses and an optional message for one or more collaborators with whom you want to share the library.
- Click Invite to send out the collaboration invites.
Collaborators receive an email invitation. Existing Creative Cloud members also receive a notification via the Creative Cloud desktop app and website.
For more information, adobe photoshop cc 2014 download, see Collaborate on libraries.
Enhanced in this release of Photoshop CC
- Assets are now clipped to document bounds by default. Photoshop Generator has also been updated to use this behavior by default.
- When you group layers in the Layer panel, the group is now listed correctly in the Extract Assets dialog. This improvement comes handy when you want to create assets from composite layers.
- Smart objects are now rendered with higher fidelity when an SVG asset is extracted for 2x or 3x versions.
- Transformed shapes and text retain their transformations when they're exported as SVG assets.
- You no longer require a workaround to use Extract Assets if you're using proxies to redirect localhost queries.
- Previews of assets no longer fail because of invalid, incorrect, or duplicate layer syntax.
For more information, see Extract assets and Generate image assets from layers.
New in this release of Photoshop CC
Creative Cloud Libraries is a powerful new feature that lets you create, categorize, and store your favorite colors, brushes, text styles, graphics, and vector images in one easily accessible place. Then you can access them anywhere: Assets you create under the same Adobe ID will be visible across different computers—in a variety of applications like Photoshop CC—wherever you sign in.
Select Window > Library to open the Library panel.
For more information, watch CC Libraries in Photoshop.
New in this release of Photoshop CC
The 2014.2 release of Photoshop CC introduces Extract Assets, a brand new user interface that lets you easily extract optimized image assets from layers and save them to various formats and resolutions, including SVG, JPG, PNG, or GIF. Using the simple visual Extract Assets interface built on top of Adobe Generator, you may extract content either on-demand or in real-time with auto-updated extractions tailored to your workflow.
This feature is particularly useful for web and screen designers who frequently create assets in multiple resolutions for use in websites and mobile apps.
Select File > Extract Assets.
For details, see Extract assets. For information about Adobe Generator, see Generate image assets from layers.
Enhanced in this release of Photoshop CC
Quickly create multiple guides at one time. Accurately set the width and margins of multiple columns or rows, and even save guides as presets.
Select View > New Guide Layout.
You can also create guides that align with the edges of the selected layers or selected shapes within a shape layer.
Select View > New Guides From Shape.
New in this release of Photoshop CC
Support for rigged COLLADA files
Photoshop now supports animation on rigged COLLADA files. You can import and scrub the timeline for these files. Do the following:
- Open the rigged COLLADA file in Photoshop.
- Select Window > Timeline.
- Scrub to a desired position on the timeline.
Import and export 3D PDF files
Photoshop now lets you export and import 3D PDF files in the U3D format.
Export: In Photoshop, open a 3D file and then select 3D > Export 3D Layer. Now, follow the onscreen instructions.
You can use the 3D PDF export functionality in conjunction with rigged COLLADA file support. Scrub to the frame you'd like to export in the animated file and then export it as PDF or in another format.
Import: Photoshop lets you open 3D PDF files created in Acrobat or Photoshop.
- Open the 3D PDF file in Photoshop.
- Select the 3D option in the Import PDF dialog.
- Click OK. Follow any further onscreen instructions.
New in this release of Photoshop CC
A new Welcome screen in Photoshop CC helps you discover, learn, and use the many features in Photoshop. The Welcome screen greets you each time you launch Photoshop and displays content that is personalized and relevant to you.
A tab-based interface helps you discover new features, how to get started, adobe photoshop cc 2014 download, and tips and techniques.
Select Help > Welcome.
The new Welcome experience is only available in the English adobe photoshop cc 2014 download of Photoshop at this time.
UI improvements to the Fill dialog
Enhanced in this release of Photoshop CC
A number of UI improvements make the Fill dialog more intuitive and easier to use. The sylenth1 3.032 crack r2r Free Activators are focused on the logical grouping of options in the dialog.
Support for Windows touch devices
New in this release of Photoshop CC
Photoshop CC now supports Windows 8.1 touch devices like the Microsoft Surface Pro, so you can use pinch, zoom, pan, and rotate.
In Photoshop, two-finger touch gestures are used to control the location, rotation, and scaling of the Image > Canvas view. Users may alternate between touch view control and other interactions using the mouse or stylus, but touch may not be used simultaneously with other input. Touch control is convenient when painting on large touchscreen monitors, which are difficult to rotate physically, and on tablets to avoid constantly shifting the device.
For more information, see Touch gestures.
The menu font size in this release of Photoshop is determined by the operating system settings. For example, on Windows 8.1, you can adjust the menu font size by following the steps in the “Make text and other items on the desktop larger” section of this Microsoft Help topic.
The August 2014 update to Photoshop CC is focused on 3D printing and 3D imaging enhancements.
Enhanced in this release of Photoshop CC
3D printing enhancements in this release include several workflow improvements, including higher fidelity mesh repair functionality and the ability to load assemblies. Also, previews in this release are more accurate than ever before.
Pack objects on the ground plane
Using the Pack Objects On the Ground Plane feature, you can easily arrange multiple objects for printing on the same build plate.
In earlier versions of Photoshop CC, for printing multiple objects, you'd need to manually position each object for printing, adobe photoshop cc 2014 download. In this update to the Photoshop CC 2014 release, you can simply select the models in the 3D Panel and then choose 3D > Pack Objects On Ground Plane.
Switch between preview modes
You can now disable ray trace preview in the 3D Print Settings dialog. The preview defaults to the OpenGL preview mode if you disable ray trace preview.
Ray trace previews now more accurately represent the output of Fused Deposition Modeling (FDM) printers.
This update includes a new profile for the MakerBot fifth generation printer. Direct USB printing with this printer profile is not supported yet. You can export the files you want to print to a USB stick and then print them locally.
Photoshop now supports DMM.com 3D printing service for users in Japan.
For more information about using 3D printing functionality in Photoshop, see Print 3D objects.
Enhanced in this release of Photoshop CC
Bump map and normal map filters
You can now create bump maps and normal maps from any image that you open in Photoshop. With the image open, select Filter > 3D > Generate Bump Map or Filter > 3D > Generate Normal Map.
In earlier versions of Photoshop CC, lines or points added to an object looked flat when rendered. In this update to the Photoshop CC 2014 release, the rendered points or lines have volume. Points look like little spheres on the object and lines look like cylinders.
Improvements in this update make painting 3D models faster and easier.
Photoshop can now open files in the VRML, adobe photoshop cc 2014 download, IGES, U3D, and PLY formats. Also, you can now export objects as U3D and VRML files.
Enhanced in this release of Photoshop CC
The 2014 release of Photoshop CC introduces many useful enhancements to Smart Guides:
Option (Mac)/Alt (Win) + Drag a Layer: When you drag a layer while keeping the Option (Mac) or Alt (Windows) key pressed, Photoshop displays reference spotify premium pc crack 2019 guides showing the distance between the original layer and the duplicate layer. This feature works with both the Move and Path Selection tools.
Path measurements: Photoshop displays measurement guides while you're working with paths. Measurement guides are also displayed when you select the Path Selection tool and then drag a path within the same layer.
Matched Spacing: When you duplicate or move an object, Photoshop displays measurement guides to visually indicate spacing between other objects that match the spacing between the selected object and its immediate neighbors.
Cmd (Mac)/Ctrl (Win) + Hover Over a Layer: You can view measurement guides while working with layers. With one layer selected, hover over another layer with the Cmd (Mac) or Ctrl (Windows) key pressed. You can use arrow keys in conjunction with this feature to nudge the selected layer.
Distances from the canvas: When you hold down the Cmd (Mac) or Ctrl (Windows) key while hovering outside a shape, Photoshop displays distances from the canvas.
For details, seeGrid and guides.
Linked Smart Object improvements
Enhanced in this release of Photoshop CC
- You can package the Linked Smart Objects in a Photoshop document, such that their source files are saved to a folder on your computer. A copy of the Photoshop document is saved along with the source files in the folder. Select File > Package.
- You can convert an embedded Smart Object to a Linked Smart Object. Transforms, filters, and other effects applied to the embedded Smart Object are preserved when it is converted. Select Layer > Smart Objects > Convert To Linked.
- Workflow improvement: When you try to perform an operation on a Linked Smart Object whose source file is missing, you are prompted that the Smart Objects must be rasterized or resolved.
Layer comps in Smart Objects
Enhanced in this release of Photoshop CC
Consider a document with layer comps placed as a Smart Object within another document. When you select the Smart Object in the containing document, the Properties panel gives you adobe photoshop cc 2014 download to the layer comps that were defined in the source file.
This feature lets you change the state of the Smart Object at a layer level without editing the Smart Object.
For details, see Layer comps.
Work with fonts from Typekit
New in this release of Photoshop CC
Through integration with Typekit, Photoshop brings a world of typographic possibilities to your creative projects. You can use fonts from Typekit that are synchronized with your computer. These fonts appear alongside locally adobe photoshop cc 2014 download fonts. You can also choose to view only fonts from Typekit in the Text tool options bar and the Character panel font lists.
If you open a document that has some missing fonts, Photoshop also lets you replace those fonts with equivalent fonts from Typekit.
For details, adobe photoshop cc 2014 download, seeWork with fonts from Typekit.
New in this release of Photoshop CC
You can now quickly search for fonts in the Text tool options bar and Character panel font lists. As you type the name of your desired font family, Photoshop filters the list on the fly. You can search for fonts by font family or by style. Font search doesn't support wildcards.
Blur Gallery motion effects
New in this release of Photoshop CC
Using the Path Blur effects (Filter > Blur Gallery > Path Blur), you can create motion blurs along paths. You can also control the shape and amount of blurring. Photoshop automatically composites the effects of multiple path blurs applied to an image.
For details, see Path blur.
(This image is a derivative of the public domain work "Deer Running in the Snow" by Gustave Courbet (1819-1877))
Using the Spin Blur effect (Filter > Blur Gallery > Spin Blur), adobe photoshop cc 2014 download, you can rotate and blur the image around one or more points. The spin blur is a radial blur measured in degrees. Photoshop lets you work MakeMKV Registration key center points, blur size and shape, and other settings, all while viewing a live preview of the changes.
For details, see Spin blur.
A. Original image B. Spin Blur (Blur Angle: 15°; Strobe Strength: 50%; Strobe Flashes: 2; Strobe Flash Duration: 10°) C. Spin Blur (Blur Angle: 60°; Strobe Strength: 100%; Strobe Flashes: 4; Strobe Flash Duration: 10°)
Select the image areas in focus
New in this release of Photoshop CC
The 2014 release of Photoshop CC lets you select the areas/pixels in an image that are in focus (Select > Focus Area). You can broaden or narrow down the default selection.
Once you've adjusted the selection to your satisfaction, determine whether the refined selection should become a selection or mask on the current layer, or produce a new layer or document. You can choose one of the following output options:
- Selection (default)
- Layer Mask
- New Layer
- New Layer With Layer Mask
- New Document
- New Document With Layer Mask
For details, see Select the image areas in focus.
Content-aware features with color blending
Enhanced in this release of Photoshop CC
With the 2014 release of Photoshop CC, touching up images and removing unwanted elements from images is easier than ever before. The following content-aware features now incorporate algorithmic color blending:
- Content-Aware Fill
- Content-Aware Patch
- Content-Aware Move
- Content-Aware Extend
A. Without color blending B. With color blending
While using the Content-Aware Patch, Content-Aware Move, adobe photoshop cc 2014 download, and Adobe photoshop cc 2014 download Extend tools, adobe photoshop cc 2014 download, you can fine tune the degree to which algorithmic color-blending is applied to the image.
Enter a value between 1 and 5 to specify how closely the patch should reflect existing image patterns. If you enter 5, the patch adheres very strongly to existing image patterns. On the other hand, the patch adheres very loosely to the existing image patterns if you specify 1 as the value of Structure.
Enter a value between 0 and 10 to specify the extent to which you want Photoshop to apply algorithmic color-blending to the patch. If you enter 0, color blending is disabled. A Color value of 10 applies maximum color blending.
For more information, see the following Help articles:
Enhancements to Photoshop Generator
Enhanced in this release of Photoshop CC
The 2014 release of Photoshop CC rolls out the following enhancements to Generator functionality:
- You can choose to save image assets generated from particular layers/layer groups in a subfolder directly under the document's scanning software for windows 10 Free Activators folder. Include the subfolder name in the layer/layer group name; for example:
[subfolder]/Ellipse_4.jpg
- You can specify document-wide default settings for the generated assets. Create an empty layer, begin its name with the keyword default, and then specify the default settings.
For details, see Specify default settings for assets.
Enhanced in this release of Photoshop CC
The 2014 release of Photoshop CC features exciting enhancements to 3D printing capability:
- The Print Preview dialog now indicates what surfaces have been repaired. In the Print Preview dialog, select Show Repair. Photoshop displays the Original Mesh, adobe photoshop cc 2014 download, Wall Thickness, and Closed Hole repairs using appropriate color coding:
- New rendering engine for the Print Preview dialog, resulting in more accurate previews with realistic lighting. The new rendering engine ray traces the 3D object better.
- New remeshing algorithm that greatly reduces the triangle count in your 3D object files
- Better support for high‐resolution textures when printing to Mcor and Zcorp printers
For details, see Print 3D objects.
Enable experimental features
New in this release of Photoshop CC
Photoshop now ships with the following experimental features that you can enable and try out:
- Scale the UI 200% for high-density displays
- Enable multitone 3D printing
- Touch gestures
These features are not production-ready yet, so exercise discretion while using them. Do the following to enable an experimental feature:
- Select Preferences > Experimental Features.
- Select the experimental feature that you want to enable. For example, select Enable Multitone Printing.
- Click OK.
- Restart Photoshop.
Sync settings improvements
Enhanced in this release of Photoshop CC
The 2014 release of Photoshop CC provides an improved Sync Settings experience featuring a simplified workflow and other useful enhancements:
- You can now specify the direction of sync.
- You can upload or download settings directly from the Preferences > Sync Settings tab.
- You can now synchronize workspaces, adobe photoshop cc 2014 download, keyboard shortcuts, and menu customizations
- The Sync Settings log on the Preferences > Sync Settings tab displays the files being uploaded/downloaded, their sizes, and the timestamps for the upload/download operation.
Enhanced in this release of Photoshop CC
OBJ group mesh import/export
In earlier versions of Photoshop, when you opened an OBJ file containing multiple meshes and multiple groups, all meshes were imported as a single group in the 3D panel. Beginning the 2014 release of Photoshop CC, the structure of the meshes and groups is preserved during import and export operations.
A. OBJ imported in earlier versions B. OBJ imported in Photoshop CC Version 2014
Texture Properties dialog box enhancements
The 2014 release of Photoshop CC features useful enhancements to the Texture Properties dialog:
- You can modify the name of the texture from directly within the dialog
- The dialog features a new Apply To Matching Textures option. Using this option, you can apply Visual Studio 2021 Crack + Product Key [Latest 2021] Free current UV settings to similar textures.
For example, you might want a Diffuse map and a Bump map to scale together. Follow these steps:- Select the same texture for both the maps.
- Edit the texture for one of the maps as per your requirements.
- To update the texture for the other map automatically, select Apply To Matching Textures in the Texture Properties dialog.
- Click OK.
- Select the same texture for both the maps.
Improved convergence for emissive surfaces adobe photoshop cc 2014 download with surfaces emitting light—for example, self-illuminating textures or colors—converge faster in the 2014 release of Photoshop CC.
Export color lookup tables
New in this release of Photoshop CC
You can now export color lookup tables from Photoshop in multiple formats. The exported files can then be applied in Photoshop, adobe photoshop cc 2014 download, After Effects, SpeedGrade, and other image/video editing applications.
You can export color lookup tables only from images that have a background layer as well as additional layers to modify colors.
For details, see Export color lookup tables.
Adobe Camera Raw enhancements
Enhanced in this release of Photoshop CC
For a list of enhancements in recent Adobe Camera Raw releases, see What's New in Adobe Camera Raw 8.x.
Features no longer available
Deprecated in this release of Photoshop CC
Due to architectural changes, the following features are no longer available in the 2014 release of Photoshop CC:
- Extension Panels using Flash, including Mini Bridge, Kuler and third Party Panels (such as Configurator panels)
- Oil Paint filter
- Mac OS X 10.6.x support
Adobe Photoshop CC 2014 [32 64 Bit] Activation Multilanguage Full Version
Oct 22, 2014
The next release of Photoshop CC 2014 on Windows will be a full release and not the. In this release, we have introduced the following features: .
May 29, 2016
@font-face and. Adobe Create Cloud for Photography is the Adobe Create Cloud adobe photoshop cc 2014 download for our photography production tools on the desktop, tablet and smartphone.
Adobe Access 2020 Adobe Access 2020 Key is the software that permits anyone to create desktop applications which runs on . The software enables users to create applications that connect to the web and.
See also
Adobe BrowserLab
Photography
References
External links
Category:MacOS graphics software
Category:Adobe software
Category:Windows graphics-related software
Category:Photography software
Category:Raster graphics editors
Category:Adobe Photoshop
Category:Windows multimedia software1. Field of the Invention
The present invention relates to an image forming apparatus such as an electrophotographic copying machine or an electrophotographic printer (for example, a laser beam printer).
2. Description of the Related Art
There is a so-called tandem-type image forming apparatus including a plurality of image forming units disposed in parallel to one another in an electrophotographic recording medium conveying direction, and an intermediate transfer belt which is disposed to face the plurality of image forming units through an interval along the electrophotographic recording medium conveying direction and travel in an endless path. Toner images formed on the respective image forming units are sequentially transferred onto the intermediate transfer belt to be superimposed. A latent image formed by an exposure operation is formed on a surface of the intermediate transfer belt at a position opposite to each of the image forming units and the latent image on the surface of the intermediate transfer belt is developed into a toner image by using the toner image formed on the image forming unit which is opposite to the position on the surface of the intermediate transfer belt. The toner image is then transferred onto an electrophotographic recording medium. The toner images formed on the respective image forming units are superimposed to be transferred onto the intermediate transfer belt. The toner images superimposed on the surface of the intermediate transfer belt are secondarily transferred onto the electrophotographic recording medium to be outputted.
The images formed on the respective image forming units have different displacements from the position of the exposure operation due to the deviation in pitch between the respective image forming units in the tandem-type image
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A:
InDesign CC 2017 has a 32bit version. You can download a trial version here:
For the 64bit version you will have to look for the Windows version (32bit) and not the OSX version:
Macbooks will have 64bit architecture, also will have 64bit versions of InDesign and Photoshop.
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